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Debashish Banerji Listings

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1 Debashish Banerji
Seven Quartets of Becoming: A Transformational Yoga Psychology Based on the Diaries of Sri Aurobindo
D.K. Printworld (P) Ltd. in Asociation with Rashtriya Sanskrit Sansthan; New Delhi, India; 2012; 8124606234 / 9788124606230; First Edition; Hardcover; New; New; 
Printed Pages: 460. 037060

Price: 19.25 USD
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2 Debashish Banerji
Seven Quartets of Becoming: A Transformational Yoga Psychology Based on the Diaries of Sri Aurobindo
D.K. Printworld (P) Ltd.; New Delhi, India; 2012; 8124606269 / 9788124606261; First Edition; Softcover; New; 
Groomed in a modern academic tradition and post-Enlightenment ideals of creative freedom and social critique, Sri Aurobindo (1872-1950) turned his attention to yoga and the limits of consciousness in its ability to relate to and transform nature. In the process, he documented scrupulously his experiments and experiences based on a synergistic existential framework of practice. Debashish Banerji correlates the approach to yoga Sri Aurobindo took in his diaries with his later writings, to derive a description of human subjectivity and its powers. Banerji constellates Sri Aurobindo's approach with transpersonal psychology and contemporary lineages of phenomenology and ontology, to develop a transformative yoga psychology redefining the boundaries and possibilities of the human and opening up lines of self-practice towards a wholeness of being and becoming. Printed Pages: 460. 100426

Price: 12.28 USD
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3 Debashish Banerji
The Alternate Nation of Abanindranath Tagore
Sage Publications; New Delhi, India; 2010; 8132102398 / 9788132102397; First Edition; Hardcover; New; New; 
The Alternate Nation of Abanindranath Tagore provides a revisionary critique of the art of Abanindranath Tagore, the founder of a ‘national’ school of Indian painting, popularly known as the Bengal School of Art. It categorically argues that the art of Abanindranath, which developed as part of what has been called the Bengal Renaissance in the 19th–20th centuries, was not merely a normalization of nationalist or orientalist principles, but was a hermeneutic negotiation between modernity and community, geared toward the fashioning of an alternate nation, resistant to the stereotyping identity formation of the nation-state. It also establishes that his art—embedded in communitarian practices like kirtan, a-lpona-, pet-naming, syncretism and storytelling through oral allegories—sought a dialogic social identity within the inter-subjective contexts of locality, regionality, nationality and trans-nationality. This book is well-illustrated with many of Abanindranath’s creations. It will be a rich reference work for students, researchers and academics from various subject areas such as arts and humanities, sociology and cultural studies, and would be precious for artists, art collectors, connoisseurs, museums and art galleries. Printed Pages: 228. 029600

Price: 24.25 USD
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