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Author Name    S.P. Verma

Title   Ornamentation in Indian Architecture: Oriental Motifs and Designs

Binding   Hardcover

Book Condition   New

Jacket Condition   New

Edition   First Edition

Size   24 x 33 Cm

Publisher   New Delhi, India Aryan Books International 2014

ISBN    8173055181 / 9788173055188

Seller ID   100102

1 & 2. Decorative Ornaments from an Ancient Jaina Stupa at Mathura. 3. Sculptures from an Ancient Jaina Temple at Mathura. 4. Perforated Stone Screen-work from Chalukyan Temples. 5. Chalukyan Ceiling from the Temple of Kattesvara, Bellary District. 6. Doorway, East Entrance, Temple of Chaturbhuj, Orchha, Bundelkhund. 7 to 10. Ornaments from the Temples of Virabhadra, Anantapur District, Madras Presidency. 11. Panel and Ornaments on Piers, Ramasvami Temple, Kumbakonam, Tanjore District . 12 & 13. Carved Panels on the Shrine Pilasters, Nagesvara Temple,Kumbakonam (LXVII), and on the Panchanadesvara Temple (LXVIII), Tiruvadi, Tanjore District. 14. Pier in the Subrahmanya Shrine, Brahadesvara Temple, Tanjore . 15. Teakwood Piers from the Temples of Mailaralingappa, Bellary District, and Margasahayar Temple at Virinjipuram, North Aroot District. 16. Pier in the Thousand Pillared Mandapa, Minakshi Amman Temple, Madura . 17. Stone Idol-Couch from a Temple at Banavasi, N. Kanara. 18. Ceiling Panel from a Hindu Temple at Vadnagar in Northern Gujarat. 19. A Ceiling Panel from Anhilwada Patan, North Gujarat. 20. Central Area in the Roof of the Mandapa, or Hall of the Temple at Ittagi. 21. Tympanum over the Recesses on Each Side of the Principal Mihrab in the Atala Masjid at Jaunpur. 22. Panel from One of the Smaller Propylons of the Atala Masjid at Jaunpur. 23. Bay of a Ceiling from Hilal Khan Qazi’s Masjid at Dholka. 24. Door to the Court of Hilal Khan Qazi’s Masjid at Dholka. 25. Central Mihrab in Bilal Khan Qazi’s Masjid at Dholka, in Gujarat. 26. Central Mihrab of the Jami Masjid at Dholka. 27 & 28. Panels on the Front Wall of the Jami Masjid at Ahmadabad. 29. One of the Marble Tombs of the Queens of Ahmad Shah at Ahmadabad. 30. Hindu Entrance to the Courtyard of the Tanka Masjid at Dholka. 31. Iron Mountings from Shah Karim’s Tomb and Mihtar-i Mahall. 32. Half Inner Doorway and Outer Door, Mihtar-i Mahall. 33. Stone Ceiling Panels from the Ibrahim Rauza, Bijapur. 34. Door from the Ibrahim Rauza at Bijapur. 35. Ceiling in Stucco from the Chhota ’Asar Mosque at Bijapur. 36. Façade Arch in the Chhota ’Asar Mosque, Bijapur. 37. Woodwork Window in the ’Asar Mahal, Bijapur. 38. Wall Surface Decoration in the Tomb of Shah Karim, Bijapur. 39 to 43. Perforated and Stucco Parapets from Bijapur. 44 & 45. Mihrabs from the Jami Masjid at Jaunpur. 46 to 48. Roof Panels from the Jami Masjid at Jaunpur . 49 & 50. Ceilings in Raised Stucco from a Ruined Palace at Bijapur. 51. Cornice and Bracket from Malikajahan Begum’s Mosque at Bijapur. 52 & 53. Tomb of ‘Umar Ibn Ahmad Al-Kazaruni at Kambhay. 54. Details of Ornament from Various Buildings at Bijapur. 55. Brackets from the Nava-Gumbaz and Kumbhar Masjid at Bijapur. 56. Ornament from the Chaurasi Gumbaz, Kalpi. 57. Ornament from the Chaurasi Gumbaz, Kalpi. 58 & 59. Principal Mihrab of the Jami Masjid, Fatehpur Sikri. 60 to 63. Mihrabs in the Jami’ Masjid, Fatehpur Sikri. 64. Detail of Patera, Jodh Bai’s Palace, Fatehpur Sikri. 65. Detail, of Ornamented Jali-Balustrades and Panel, Jodh Bai’s Palace, Fatehpur Sikri. 66. Details of Jali-Balustrade and Screen Work in Hawa Mahal, Jodh Bai’s Palace, Fatehpur Sikri. 67. Detail of Window, Jodh Bai’s Palace, Fatehpur Sikri . 68. Detail of Shaft in Reception Room, Jodh Bai’s Palace, Fatehpur Sikri. 69. Detail of Balconette, Jodh Bai’s Palace, Fatehpur Sikri. 70. Fatehpur Sikri: “Jodh Bai’s” Palace: Ceiling Over the North-West Angle Room on the Ground Floor. 71. Fatehpur Sikri: Jodh Bai’s Palace: Ceiling over the North-East Angle Room on the Ground Floor. 72. Fatehpur Sikri: Jodh Bai’s Palace: Perforated Red Sandstone Panel. 73. Fatehpur Sikri: Jodh Bai’s Palace: Details of String Mouldings. 74. Fatehpur Sikri: Jodh Bai’s Palace (Details of Stone Sills Beneath Wall Recesses). 75. Bracket from Sultana’s House, Fathepur Sikri. 76 to 78. Dado Panel from the Sultana’s House, Fatehpur Sikri. 77. Soffit of Drip Stone, Sultana’s House, Fatehpur Sikri. 78. Internal Frieze and Cornice, and External Cornice, South Façade, Sultana’s House, Fatehpur Sikri.79. Ornament from the Turkish Sultana’s House, Fatehpur Sikri. 80. Fatehpur Sikri: Turkish Sultana’s House Carved Dado Panel. 81. Fatehpur Sikri: Turkish Sultana’s House (Carved Dado Panel in Red Sandstone). 82. Verandah Ceiling from the Sultana’s House, and Jali Windows from the “Ankh Machaoli”, Fatehpur Sikri. 83. Fatehpur Sikri: Birbal’s House (Details of Dado Panels). 84 & 85. Fathepur Sikri: Birbal’s House (Detail of Friezes Around the Interior of the Domes Over the Upper Floor Rooms and of the Bases Beneath the Pilasters). 86. Fatehpur Sikri: Birbal’s House (The North Porch—Details of Archway over the Entrance). 87. Fatehpur Sikri: Birbal’s House (Detail of Wainscotted Walls in the Upper Rooms). 88 to 93. Fatehpur Sikri: Rajah Birbal’s House (Wall Recesses, Carved Panels, and Borders). 94 to 96. Fatehpur Sikri: Diwan-i-Khas Detail of Pedestal, Base, and Shaft of the Column in the Centre of the Chamber. 97. Fatehpur Sikri: Salim Chishti’s Tomb (Entrance from the Ambulatory to the Cenotaph Chamber). 98 & 99. Fatehpur Sikri: Salim Chisti’s Tomb (Detail of the Porch Columns, and Brackets Supporting Eaves Round the Outer Sides of the Tomb). 100 to 104. Fatehpur Sikri: Salim Chishti’s Tomb (Marble Screens Enclosing the Ambulatory) . 105 & 106. Fatehpur Sikri: Islam Khan’s Tomb (Details of Verandah Screens). 107. Fatehpur Sikri: The Zanana Rauza(Details of Screen-Work). 108. Fatehpur Sikri: Astrologer’s Seat (Detail of Base of Shaft). 109 to 111. Gingee Fort, South Arcot. 112 & 113. Windows from the ’Asar Mahal, Bijapur. 114. Chaurasi Gumbaz, Kalpi, North-Western Provinces (Detail of One of the Upper Panels on the North Façade). 115. Door from the Fort at Hyderabad, Sind. 116. Perforated Terracotta Window from a Tomb at Sehwan, Sind. 117 & 118. Mihrab from Ruined Mosque at Erandol, Khandesh. 119. Part of Façade in Wood Carving from a House at Srigunda, Ahmadnagar District, Bombay. 120 to 122. Tomb of the Late Navab at Pathari, Central India. 123. Shrine Door of Temple of Samkara at Bheraghat Near Jabalpur. 124. Decorated Ceiling Panels from the Temple of Ambarnath. 125. Mihrab in the Jami Masjid at Bharoch. 126. Detail of Stucco Work in Western Wall Makka-ka-Naqal, Bunnur. 127 & 128. Roof of Pathariya Masjid, Thanesar. 129. Trellised Windows, Tomb of Shaikh Chilli, Thanesar. 130. Gateway Near Qazi’s Masjid, Sadhaura 131. Wood-Carving from Bijapur. 132 & 133. Old Wood Carving. 134. Details of Doorjamb of Mediæval Jaina Temple, Formerly at Agrah. 135. Pilaster of Medieval Ruined Jaina Temple at Atru-Ganeshganj in the Koth State, Eastern Rajputana For a building to become architecture, it must be thematically essentialized through a process of ornamentation. Ornamentation is that component of the art product which is added, or worked into it, for purpose of embellishment. In general, however, “ornamentation” refers to motifs and themes used in art objects, buildings, or any surface without being essential to structure and serviceability. In Architecture, it often occurs on entablatures, columns, and the tops of buildings and around entryways and windows. The present volume contains a selection of impressive ornamentation in Indian architecture. Printed Pages: 264 with 133 figures & maps & 23 halftone illustrations.

Ornamentation in Indian Architecture: Oriental Motifs and Designs S.P. Verma

Price = 80.00 USD


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