A Language for German Opera: The Development of Forms and Formulas for Recitative and Aria in Seventeenth-Century German Libretti (Wolfenbtteler Arbeiten zur Barockforschung (37))

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Content Introductory Remarks on Word-Music Relations: "Mein selbst ander ich" Forms for Early German Opera in Dresden: Heinrich Schtz, Martin Opitz and Augustus Buchner Two Directions for the Early German Opera Libretto: Georg Philipp Harsdrffer and Simon Dach German Language Opera in Dresden, 1650 -1680 The Turning Point: Caspar Ziegler's Von den Madrigalen (1653) and Initial Signs of its Impact in Dresden and Wolfenbttel The Final Pieces of the Puzzle: Festspiele in Rudolstadt (1665 -1667) and "Die hllische Oper" (1660 -1679) Three Operas at the Threshold of Maturity: Rosander und Rosimene (1679),Floretto (1683), and Die Drey Tchter Cecrops (1679) Opera as Poetic Genre and Source of Poetic Forms: "das galanteste Stck der Poesie" Bibliographies Indices Englisch , Printed Pages: 349 37 Abb..

Title: A Language for German Opera: The Development of Forms and Formulas for Recitative and Aria in Seventeenth-Century German Libretti (Wolfenbtteler Arbeiten zur Barockforschung (37))

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Categories: 17th century, c 1600 to c 1699,

Edition: 1., Aufl.

Publisher: Harrassowitz Verlag: 2002

ISBN: 3447046538

ISBN 13: 9783447046534

Binding: Hardcover

Book Condition: New

Type: Book

Size: 17,0 x 24,0 cm

Seller ID: HWITZ-9783447046534

Keywords: Rudolstadt/ Musikgeschichte; Dresden/ Musikgeschichte; Wolfenbttel/ Musikgeschichte; Jahrhundert, 17. /Musik; Oper; Libretto; Musikgeschichte A Language for German Opera: The Development of Forms and Formulas for Recitative and Aria in Seventeenth-Century German Libretti (Wolfenbtteler Arbeiten zur Barockforschung (37)) Aikin, Judith P 17th century, c 1600 to c 1699